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*Bare Trees Fleetwood Mac Youtube
*Bare Trees Fleetwood Mac Song Bare Trees (1972) - Fleetwood Mac

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Mick Fleetwood, Danny Kirwan, John McVie, Christine McVie, Bob Welch Tracklisting »
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Child Of Mine
Date Performance: 1972, Running Time: 5:09
Comments: Recorded at DeLane Lea Music Centre.The Ghost
Date Performance: 1972, Running Time: 3:58
Comments: Recorded at DeLane Lea Music Centre.Homeward Bound
Date Performance: 1972, Running Time: 3:20
Comments: Recorded at DeLane Lea Music Centre.Sunny Side of Heaven
Date Performance: 1972, Running Time: 3:10
Comments: Recorded at DeLane Lea Music Centre.Bare Trees
Date Performance: 1972, Running Time: 5:02
Comments: Recorded at DeLane Lea Music Centre.Sentimental Lady
Date Performance: 1972, Running Time: 4:35
Comments: Recorded at DeLane Lea Music Centre.Danny’s Chant
Date Performance: 1972, Running Time: 3:16
Comments: Recorded at DeLane Lea Music Centre.Spare Me A Little Of Your Love
Date Performance: 1972, Running Time: 3:44
Comments: Recorded at DeLane Lea Music Centre.Dust
Date Performance: 1972, Running Time: 2:41
Comments: Recorded at DeLane Lea Music Centre.Thoughts On A Grey Day
Date Performance: 1972, Running Time: 2:03
Comments: Special thanks to Mrs. Scarrot for her readings, recorded at her home in Hampshire.: Function ereg_replace() is deprecated in on line : Function ereg_replace() is deprecated in on line : Function ereg_replace() is deprecated in on line : Function ereg_replace() is deprecated in on line : Function ereg_replace() is deprecated in on line : Function ereg_replace() is deprecated in on line : Function ereg_replace() is deprecated in on line : Function ereg_replace() is deprecated in on line : Function ereg_replace() is deprecated in on line : Function ereg_replace() is deprecated in on line Guest Appearance » Released »
1972-03 Format »
Domestic Vinyl/CD Album Other Appearances »Rupert Brooke (Songwriter), Danny Kirwan (Songwriter), Danny Kirwan (Songwriter), Christine McVie (Songwriter), Christine McVie (Songwriter), Aileen Scarrot (Songwriter), Bob Welch (Songwriter), Bob Welch (Songwriter), Mick Fleetwood (Produced By), Mick Fleetwood (Produced By), Fleetwood Mac (Produced By), Danny Kirwan (Produced By), Danny Kirwan (Produced By), Christine McVie (Produced By), Christine McVie (Produced By), John McVie (Produced By), John McVie (Produced By), Bob Welch (Produced By), Bob Welch (Produced By), Martin Birch (Engineered By), John McVie (Cover Photo By), John McVie (Cover Photo By), Bob Hughes (Remix Engineer), Lee Herschberg (CD Remastered By), The Record Group (CDD Pre-Mastering By) Record Label »Reprise Catalogue Number »
2278-2 Running Time »
37:10 Liner Notes »
Remixed at The Record Plant.
CD Issue Notes:
Fleetwood Mac’s Bare Trees features a cover photo by John McVie and some of the legendary British band’s most intriguing and innovative music. The haunting Bob Welch original ’Sentimental Lady,’ Christine McVie’s country-tinged ’Spare Me A Little Of Your Love’ and Danny Kirwan’s stunning instrumental ’Sunny Side Of Heaven,’ are among Bare Trees many musical highlights.
Formed in 1967 by guitarist Peter Green, Fleetwood Mac’s original line-up included drummer Mick Fleetwood and bassist John McVie. All three were veterans of John Mayall’s Bluesbreakers. With guitarist/vocalist Jeremy Spencer they released their self-titled debut album in early 1968. With the addition of a third guitarist, Danny Kirwan, the band recorded a series of acclaimed albums, including English Rose, Mr. Wonderful and Then Play On, scoring hits with such singles as ’Albatross’ and ’Black Magic Woman’ before Green departed in mid-1970.
For Kiln House (1970), the group recruited singer Christine Perfect (later McVie), formerly of Chicken Shack. Shortly afterward Spencer left the group to be replaced by American guitarist/vocalist Bob Welch. It was this line-up - Fleetwood, McVie, Perfect, Kirwan, Welch - that recorded Future Games in 1971. A greatest hits package followed and, in March of 1972, the group released Bare Trees.
A Fleetwood Mac production engineered by Martin Birch, Bare Trees featured ten songs penned by Bob Welch, Christine McVie and Danny Kirwan, with music ranging from the group’s blues roots to pure pop and progressive rock flavorings.
(C) (P) 1972 Warner Bros. Records Inc.Reprise Records, a division of Warner Bros. Records Inc., a Warner Communications Company.
All Rights Reserved. Unauthorized duplication is a violation of applicable laws.
Mfg. by WEA Manufacturing.
Printed in U.S.A.
WARNING: The music on this Compact Digital Disc was originally recorded on analog equipment, prior to modern noise reduction techniques. This Compact Disc preserves, as closely as possible, the sound of the original recording, but it’s high resolution also reveals limitations in the master tape, including noise and other distortions.
The Compact Disc Digital Audio System offers the best possible sound reproduction - on a small, convenient disc. Its remarkable performance is the result of a unique combination of digital storage and laser optics. For best results, you should apply the same care in storing and handling the Compact Disc as you would with conventional records. No cleaning is necessary if the Compact Disc is always held by its edges and is replaced in its case directly after playing. If the Compact Disc becomes soiled by fingerprints, dust or dirt, it can be wiped (always in a stright line, from center to edge) with a clean and lint-free, soft, dry cloth. Never use a solvent or abrasive cleaner to clean the disc. If you follow these suggestions, the Compact Disc will provide a lifetime of listening enjoyment.
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There are 14 visitor reviews for Bare Trees. See them all here.

When we are dust, this will remain
Review written by (keogh01@yahoo.com), September 14th, 2012
The best Fleetwood Mac LP of a great catalogue.
’Sunny Side Of Heaven’ is just stunningly georgeous music well-fitting its title - picture sunlight piercing clouds or perhaps the fog picture on the album jacket.
Side two is near perfection. ’Dust’ is so thoughtful and poignant but rather than finishing the album in deep sadness of our mortality, Mrs. Scarrot’s reading of ’Thoughts on a Grey Day’ lifts the mood without changing the subject.
Bob Welch’s ’Sentimental Lady’, Christine McVie’s ’Spare Me A Little Of Your Love’, Kirwin’s ’Bare Trees’ and ’Child Of Mine’ are great songs.
All works together as a whole - music, lyrics, cover photo and varying voices.
Do not underestimate John Mc Vie’s cover photo. When you listen and learn the songs, the songs so well fit a mood reflected in the cover photo, that when you are out and about and see bare trees through a fog, you will recall ’Bare Trees’ and want to re-listen. This morning in Auburn was a such a time and I did listen.

When will it be remastered?
Review written by Tom (curioushead@hotmail.com), September 6th, 2012
This has got to be one of my favorite Fleetwood Mac albums. It has the right amount of soft and hard rock in the right places. I’m only giving it 4 stars because I want Reprise to re-release the CD clear and remastered. The dimension of the sound is phenomenal for an analog recording. But I want the album restored to its full glory!

Enjoyable rock
Review written by Larry L, August 8th, 2011
After the previous year’s timid offering Fleetwood Mac suddenly springs to life. Bare Trees is smooth, confident FM-friendly music of the Steely Dan class. From straight ahead rock (’Homeward Bound’, Child of Mine’) to the title track’s bouncy progressive-pop, this Mac album will not bore. In fact, some of the songs you’ll immediately want to play again. Now that’s good. Comments »
On Bare Trees, Fleetwood Mac married the gritty electric blues-rock of their earlier incarnations to the classic pop sensibilities that would later become fully realized in 1975’s Fleetwood Mac. Bob Welch’s ’Sentimental Lady’ and Christine McVie’s soulful ’Spare Me a Little of Your Love’ are highlights. Danny Kirwin revealed an ability to compose highly melodic material that didn’t constrain the band’s legendary musical chemistry. Rated: 1. (Rick Clark, All Music Guide, Volume 1, Number 1)
*RIAA Certification : Album - Platinum (1 million, 2/09/88)

*Charts Peak : US #70 (May 1972) Last Modified »2012-09-15 Tracklisting »Discography entry submitted by Josh Williams.

Fleetwood Mac
The Fleetwood Mac story is an episodic saga that spans more than 30 years. It is the saga of a British blues band formed in 1967 that became a California-based pop group in the mid-Seventies. In between came a period where Fleetwood Mac shuffled personnel and experimented with styles, all the while releasing solid albums that found a loyal core audience. Despite all the changes, two members have remained constant over the years: drummer Mick Fleetwood and bassist John McVie, whose surnames provided the group name Fleetwood Mac. Though most rock fans are familiar with the lineup that includes Lindsey Buckingham and Stevie Nicks-by far the longest-running edition of the band, responsible for the classic albums Fleetwood Mac and Rumours-the group possesses a rich and storied history that predates those epics. Earlier Fleetwood Mac lineups included guitarists Peter Green, Jeremy Spencer, Danny Kirwan and Bob Welch. Fleetwood Mac when Green, Fleetwood and McVie, who were all expatriates from British bandleader John Mayall’s Bluesbreakers, decided to form a band. McVie and Fleetwood had been playing with Mayall, a British blues legend, since 1963 and 1965, respectively, while Green replaced Eric Clapton (who exited to form Cream) in 1966. Initially a quartet, the original Fleetwood Mac also included guitarist Jeremy Spencer and then expanded with the addition of Danny Kirwan prior to their second album. Not surprisingly, the group’s first two U.K. albums-Fleetwood Mac (1967) and Mr. Wonderful (1967)-were heavily blues-oriented. “Black Magic Woman,” a Peter Green song from the latter album, later became a major hit for Santana. In 1969, Fleetwood Mac recorded at Chess studios with American blues musicians, including Willie Dixon and Otis Span; it was released as the two-volume Blues Jam in the U.K. and as Fleetwood Mac in Chicago in the U.S. By decade’s end, however, Fleetwood Mac had begun moving from traditional blues to a more progressive approach. Around this time, the group adopted its distinctive “penguin” logo, based on zoo-lover and amateur photographer McVie’s interest in the birds. There are arguably three “definitive” Fleetwood Mac lineups. One of them is the blues-oriented band of the late Sixties, which arrayed three guitarists (Green, Spencer and Kirwan) around the rhythm section of Fleetwood and McVie. They are best represented by 1969’s Then Play On, a milestone in progressive blues-rock. After Green’s exodus in mid-1970, the remaining members cut the more easygoing, rock and roll-oriented Kiln House. Early in 1971, a born-again Spencer abruptly left the band during a U.S. tour to join the Children of God. The second key configuration found Fleetwood, McVie and Kirwan joined by keyboardist Christine McVie (born Christine Perfect, she’d married bassist McVie) and guitarist Bob Welch, a Southern Californian who became the group’s first American member and a harbinger of new directions. This configuration produced a pair of ethereal pop masterpieces, Future Games (1971) and Bare Trees (1972). Kirwan, who was having personal problems, was asked to leave in August 1972. The remaining foursome, joined by new recruits Dave Walker (vocals) and Bob Weston, recorded Penguin (1973); sans Walker, they cut Mystery to Me (1974). Again reduced to a quartet with Weston’s departure, they released Heroes Are Hard to Find later that same year. Finally, the platinum edition of Fleetwood Mac came together in 1975 with the recruitment of Lindsey Buckingham and Stevie Nicks. The San Francisco duo had previously cut an album together as Buckingham-Nicks. Drummer Fleetwood heard a tape of theirs at a studio he was auditioning, and the pair were drafted into the group without so much as a formal audition. This lineup proved far and away to be Fleetwood Mac’s most durable and successful. In addition to the most solid rhythm section in rock, this classic lineup contained strong vocalists and songwriters in Buckingham, Nicks and Christine McVie. Male and female points of view were offered with unusual candor on the watershed albums Fleetwood Mac (1975) and Rumours (1977). Fleetwood Mac introduced the revitalized group with such sparkling tracks as “Over My Head,” Fleetwood Mac’s first-ever Top Forty single; “Rhiannon,” which became Nicks’ signature song; “Say You Love Me,” which showed of the group’s three-part harmonies; and “Monday Morning,” the driving album opener and FM-radio favorite. Rumours was written and recorded as three long-term relationships-between Buckingham and Nicks, the married McVies, and Fleetwood and his wife-publicly unraveled. The album is a virtual document of romantic turmoil, and its timing reflected the interpersonal upheavals of the liberated Seventies. Resonating with a mass audience like no other album in rock history, Rumours yielded a bumper crop of songs with enduring appeal, among them the Top Ten hits “Go Your Own Way,” “Dreams,” “Don’t Stop” and “You Make Loving Fun.” Fleetwood Mac toured for seven months behind Rumours and reigned as the most popular group in the world. Rumours has to date sold 18 million copies, making it the fifth best-selling album of all time. As a group, Fleetwood Mac has sold more than 70 million albums since its inception in 1967. Under the creative guidance of Lindsey Buckingham, whose skill as a producer and pop visionary became increasingly evident-Fleetwood Mac grew more emboldened with the double album Tusk, released in 1979. A more experimental album, Tusk didn’t match its predecessors sales, but it did earn two more Top Ten hits-’Sara’ and “Tusk’-while extending the group’s longevity by forswearing formulas. Solo careers commenced during the three-year layoff that followed another extensive tour. Stevie Nicks, in particular, nurtured a career that rivaled Fleetwood Mac’s for popularity. Fleetwood Mac released two studio albums in the Eighties-Mirage (1982) and Tango in the Night (1987)-but its front-line members were increasingly drawn to their solo careers. Disinclined to tour, Buckingham announced he was leaving Fleetwood Mac shortly after Tango in the Night. He was replaced by guitarists Billy Burnette and Rick Vito, who appeared on the 1990 album Behind the Mask. Eventually, both Nicks and Christine McVie revealed they, too, would no longer tour with Fleetwood Mac. Nicks officially left the band a month after Fleetwood Mac regrouped to perform “Don’t Stop” at President Bill Clinton’s inauguration in January 1993. The indefatigable core of Fleetwood and the McVies recruited guitarist Dave Mason and singer Bekka Bramlett, but the proverbial link in Fleetwood Mac’s chain had been broken one too many times and this lineup’s one album, Time (1995), fared poorly. Then, in 1997, Fleetwood Mac’s classic lineup set aside their differences for a reunion that marked the 30th anniversary of the original group’s founding and the 20th anniversary of Rumours’ release. A concert was filmed for an MTV special and saw release on video and audio formats as The Dance, which found the group revisiting old material and premiering new songs. A full-fledged reunion tour followed.Bare Trees Fleetwood Mac Youtube
Fleetwood Mac - Bare Trees. Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF.) depending on your needs. Listen to your purchases on our apps. Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.Bare Trees Fleetwood Mac Song
Artist: Fleetwood Mac Album: 1969 To 1974 Released: 2020 Style: Blues Rock Format: MP3 320Kbps Size: 1,02 Gb. CD1 Then Play On (1969): 01 – Coming Your Way – Fleetwood Mac 02 – Closing My Eyes – Fleetwood Mac. Artist: Fleetwood Mac Album: 1969 To 1974 Released: 2020 Style: Blues Rock Format: MP3 320Kbps Size: 1,02 Gb. CD1 Then Play On (1969): 01 – Coming Your Way – Fleetwood Mac 02 – Closing My Eyes – Fleetwood Mac.
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